Selasa, 30 Juni 2015

Blind Date, by Emma Hart

Blind Date, by Emma Hart

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Blind Date, by Emma Hart

Blind Date, by Emma Hart



Blind Date, by Emma Hart

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Blind dates are the work of the devil… I’m a serial-one nighter, and my best friend is my inner slut. He’s temptation personified, and his best friend is definitely his cock. Carter Hughes gave me a taste of my own medicine. He wham, bam, thank you ma’amed me into oblivion, and I hell yes, oh God, right there’d him into paradise. I thought that would be the end—until my mother’s double booking for a consultation winds me right back up at the place I swore I’d never go again. Now I’m fighting for an interior design contract I don’t even want... Just to make a point. If I get it, the date won’t be the devil. Carter Hughes will be. (Disclaimer: BLIND DATE was originally published as a short story in the ONE anthology. It has now been expanded into a longish novella, approx. 47k words.)​

Blind Date, by Emma Hart

  • Amazon Sales Rank: #46389 in eBooks
  • Published on: 2015-10-30
  • Released on: 2015-10-30
  • Format: Kindle eBook
Blind Date, by Emma Hart


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6 of 6 people found the following review helpful. PERFECT Blind Date, by Emma Hart


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Rabu, 24 Juni 2015

Graphic Design Visionaries, by Caroline Roberts

Graphic Design Visionaries, by Caroline Roberts

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Graphic Design Visionaries, by Caroline Roberts

Graphic Design Visionaries, by Caroline Roberts



Graphic Design Visionaries, by Caroline Roberts

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Featuring 75 of the world's most influential designers, this book presents the story of graphic design through the fascinating personal stories and significant works that have shaped the field.Arranged in chronological order, the book shows the development of design, from early innovators such as Edward McKnight Kauffer and Alexey Brodovitch to key figures of mid-century Swiss Design and corporate American branding. The book profiles masters of typography, such as Wim Crouwel and Neville Brody; visionary magazine designers, such as Leo Lionni and Cipe Pineles; designers who influenced the world of film, such as Saul Bass and Robert Brownjohn; and the creators of iconic poster work, such as Armin Hofmann, Rogério Duarte and Yusaku Kamekura. Combining insightful text and key visual examples, this is a dynamic and richly illustrated guide to the individuals whose vision has defined the world of graphic design.

Graphic Design Visionaries, by Caroline Roberts

  • Amazon Sales Rank: #568920 in Books
  • Brand: Roberts, Caroline
  • Published on: 2015-06-16
  • Released on: 2015-06-16
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.50" h x 1.00" w x 8.00" l, .0 pounds
  • Binding: Paperback
  • 312 pages
Graphic Design Visionaries, by Caroline Roberts

About the Author Caroline Roberts is a journalist and author who writes mainly about the graphic arts. She is the co-author of New Book Design, Cut & Paste: 21st-Century Collage, and most recently 50 Years of Illustration. She was the founder of Grafik magazine.


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1 of 1 people found the following review helpful. Good coverage of 20th century design history By Editchief This well-designed book doesn't add huge amounts of new data to published works on the history of design. Nevertheless, it's a useful supplemental volume, especially for those interested in recent contributions to graphic design history. The author, Caroline Roberts, is an editor of the London-based design magazine (now a website) "Grafik," and the group of visionaries who are profiled reflect a global perspective that includes Asian and South American designers, as well as many from the US and Europe. Also, a few of the "visionaries" are design agencies (like Pentagram) or collectives (like Grapus) rather than individuals.The visionaries are presented chronologically, by birth year, starting with six designers born in the late 1890s (including Piet Zwart, E. McKnight Kauffer, Ladislav Sutnar, and Alexey Brodovitch) and ending with design groups "born" in 1991 (Tomato) and 1992 (M/M Paris).Each visionary person or group is allocated four pages. One page of text summarizes the designer's work and impact; most of these biography pages also include a photo of the designer (something that most other design history books omit). The other three pages display examples of the designer's work, effectively presented on the book's oversized (about 8 x 12 inches) pages. In several instances I was pleased to see materials that aren't the typical samples provided in other design history compilations. Also, each designer's section includes a timeline that highlights some biographical facts and key accomplishments.In her introduction, Ms. Roberts apologizes for the lack of diversity in the "primarily white and middle class" and predominantly male group selected for her "established canon" of important designers. However, she also notes that the graphic design profession is still "in its infancy" and suggests that "future editions of this book will look quite different." Therefore, I hope this book will not be Ms. Roberts' only attempt to catalog important contributors to contemporary design history.

1 of 1 people found the following review helpful. An easy resource covering distinctive accomplishments by worthy design thinkers By N. Wu “Visionaries" are described as people with original ideas about what the future will or could be like. That was unlikely the plan of those graphic design thinkers featured in “Graphic Design Visionaries” by Caroline Roberts. This book covers a broad scope of international designers who had the talent and fortune of working with corporations that enabled their creative freedom beyond the usual for its time. Paul Rand, FHK Henrion, Saul Bass to more obscure names like Ladislav Sutnar, Giovanni PIntori (Olivetti) & Cipe Pineles (Seventeen Magazine) are represented. And yet there’s a void left by the lack of female representation (Margo Chase, Marian Bantjes) or extraordinary designers like Alvin Lustig & Stefan Kanchev. (Perhaps an opportunity for a followup?)In all fairness, the intention here is not to be an exhaustive encyclopedia-style collection, but rather an easy resource covering distinctive accomplishments by worthy design thinkers. It functions to give each designer four feature pages of key projects, career highlights, and a timeline of biographical hallmarks in their life journey. Each feature skims the surface of each visionary—more as an introductory of what makes them worthy to be included—without going much deeper into their personal motivations, thought processes or career goals. Many are well-known and expected for their inclusion, while others are more obscure but just as worthy for their contributions and courage, as much as for their curiosity. What does unite them were their own personal passions to be explore graphic design beyond what was considered safe, easy or already done.Pushing boundaries, challenging status quo, or simply following the beat of their own drum, it is refreshing to see works from the past appear just as fresh as if they were created today. In the same vein, it clearly demonstrates how incredible the technical skill of past design craftsmen and abstract thinkers had led the charge prior to the computer age utilizing basic, primitive resources. Where they were given autonomy and trust by their employers and design patronage, today’s brand design for those same corporations (Olivetti, Conde Nast publishing, Westinghouse) seem led by the mass market consumer appeal of today over innovation and vision for tomorrow. And yet these once small emerging corporations that were trying to find their brand voice, is where the forward-thinking design innovators of today are focussing their energies...

0 of 0 people found the following review helpful. Highly recommended. By Stephen E. Nagy Outstanding book. Well written and superbly illustrated. A design reference for decades to come.

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Selasa, 23 Juni 2015

A Field Guide to Student Teaching in Music, by Ann C. Clements, Rita Klinger

A Field Guide to Student Teaching in Music, by Ann C. Clements, Rita Klinger

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A Field Guide to Student Teaching in Music, by Ann C. Clements, Rita Klinger

A Field Guide to Student Teaching in Music, by Ann C. Clements, Rita Klinger



A Field Guide to Student Teaching in Music, by Ann C. Clements, Rita Klinger

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A Field Guide to Student Teaching in Music is a practical guide focused on the link between music education coursework and the field-based aspects of the student teaching experience. It addresses general topics that are common to all music placements, as well as those topics that are of specific interest to the general, choral, and instrumental music classrooms.

This text builds on theoretical materials typically covered in music methods courses, yet it is not specific to any one particular teaching pedagogy, making it flexible enough for use in a variety of music teaching settings. It will guide students through the student teaching process as they make the transition from student to music educator.

A Field Guide to Student Teaching in Music, by Ann C. Clements, Rita Klinger

  • Published on: 2015-10-07
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .44" w x 6.00" l, .97 pounds
  • Binding: Hardcover
  • 152 pages
A Field Guide to Student Teaching in Music, by Ann C. Clements, Rita Klinger

About the Author

Ann C. Clements is Associate Professor of Music Education at The Pennsylvania State University.

Rita Klinger is Professor of Music at Cleveland State University.


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0 of 0 people found the following review helpful. A must for student teachers By amm This is a must for student teachers in the music classroom. It gives practical advice that you may feel is common sense, however beware in tossing this book aside too early. You will probably pay for it in the classroom as the little ones walk all over you.

0 of 0 people found the following review helpful. Worked great! By Gabrielle Swank Rented book! Worked great!

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A Field Guide to Student Teaching in Music, by Ann C. Clements, Rita Klinger

Kamis, 18 Juni 2015

It's Not Mean If It's True: More Trials From My Queer Life, by Michael Thomas Ford

It's Not Mean If It's True: More Trials From My Queer Life, by Michael Thomas Ford

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It's Not Mean If It's True: More Trials From My Queer Life, by Michael Thomas Ford

It's Not Mean If It's True: More Trials From My Queer Life, by Michael Thomas Ford



It's Not Mean If It's True: More Trials From My Queer Life, by Michael Thomas Ford

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With two best-sellers and a Lambda Literary Award under his belt, Michael Thomas Ford is still cranky. Lucky for us. The author of Alec Baldwin Doesn't Love Me and That's Mr. Faggot to You returns with more skewed observations on the strange state of the queer union. As fans of his previous collections have happily discovered, little escapes his attention, and no topic is too controversial or sacred to be tackled. ''The Condensed History of Gay Pride'' is enough to send any politically correct gay leader shrieking into the streets. But Ford's favorite target remains himself. The fact that Cher's butt is more famous than he is really irks him, and he is willing to pretend to be straight in order to get help while shopping for clothes. He murdered his rival's ''egg baby''; in high school to secure a good grade, and he sacrificed his own to a chocolate cake. Whether he is equating becoming a man with buying a barbecue in the very moving ''Rite of Passage'' or considering the state of parenthood in the unforgettable ''Cheaper by the Dozen,'' Ford continues to observe life in ways that help us more closely observe ourselves-while never, never forgetting to make us laugh.

It's Not Mean If It's True: More Trials From My Queer Life, by Michael Thomas Ford

  • Amazon Sales Rank: #3432693 in Books
  • Published on: 2015-10-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .50" w x 5.51" l, .62 pounds
  • Binding: Paperback
  • 218 pages
It's Not Mean If It's True: More Trials From My Queer Life, by Michael Thomas Ford

Amazon.com Review The third collection of Michael Thomas Ford's syndicated humor pieces from his column "My Queer Life" more than lives up to its sparkling predecessors, Alec Baldwin Doesn't Love Me and That's Mr. Faggot to You. Revel in Ford's tart summary of the suppressed all-gay season of MTV's Real World, with its outbreak of crabs and a heart-rending incident involving the impossible-to-find Julie Andrews recording Live in Japan. Ponder in pity or solidarity Ford's brave revelation that he has no style sense whatsoever and is taken for a hopelessly muddled straight man whenever he wanders into a J. Crew or a Gap. The best essays here are often not the topical ones, in which Ford responds to recent antigay news, but the most whimsical. In "Ah-Choo," he proposes a useful new hanky code, based not on sexual proclivities but on personality traits, such as Orange Hanky for "Tanning booth aficionado and gym bunny" or Green Hanky for "Eats only organic produce." Don't miss his mordant reflections on the outing of Tinky Winky in "Et Tu, Po?" or his "Condensed History of Queer Sex," beginning with God's anger at Adam and Steve for eating forbidden fruit: "As punishment, Steve's name and penis are both severely shortened, forever altering history." --Regina Marler

From Publishers Weekly Ford continues his winning streak (following Alec Baldwin Doesn't Love Me and That's Mr. Faggot to You) with this collection of astute, acerbic and endearingly grumpy essays about his life as a new millennium gay man. Unlike some humoristsAthink David Letterman and David SedarisAFord isn't afraid to forgo quick punch lines when he comments on more serious topics, such as the shootings at Columbine High School and the sexism of a medical profession that heralds cures for impotence and balding, but drags its feet on breast cancer. Ford is at his neurotic best when dealing with his new boyfriend, Dave. In "Green-Eyed Monster," Ford is set on edge by Dave's trusting nature and lack of jealousy; in "Runaway Train," his mind begins to race when he hasn't received his daily call from Dave by the time midnight rolls around. Ford mines gold with his quirky theory that Stevie Nicks CDs can cure homosexuality, his proposed children's book series that nixes hand-holding with titles like "Face It: You're Fat" and "Face It: No One Likes You" and his reflections on the Kinsey Institute's downsizing of average penis from 6.16 inches to 5.2 inches. His concise histories of queer cinema, gay pride and first dates are also a hoot. In the end, Ford seems lovably curmudgeonly, not mean. (Sept.) Copyright 2000 Reed Business Information, Inc.

Review Peter Dickinson's bold and exciting work ends with ''a declaration that it's about time.'' Indeed. Here is Queer is a comprehensive and compelling examination of queer Canadian literature which simultaneously foregrounds the notion of how queer criticism itself has suffered suppression and neglect. Though Dickinson is certainly not a pioneer in queer lit crit, he underlines the need for more of it. The result is bracing and, as he says, past due. --Canadian LiteratureTo say that Peter Dickinson adds homosexual/queer representations to the canon of Canadian literature would be to underestimate the project: Here Is Queer analyses the work of queer writers in the context of nationalist debates, providing a substantive discussion of the country's literature. --AUMLA : Journal of the Australasian Universities Modern Language AssociationTo say that Peter Dickinson adds homosexual/queer representations to the canon of Canadian literature would be to underestimate the project: Here Is Queer analyses the work of queer writers in the context of nationalist debates, providing a substantive discussion of the country's literature. --AUMLA : Journal of the Australasian Universities Modern Language Association


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8 of 9 people found the following review helpful. Three words... Fab You Lous By A Customer Ford's done it again! He's returned to the magic formula of "Alec Baldwin" and created a down-right hysterical piece of writing. He's the master of self-awareness, self-pity, but more importantly self-appreciating humor. You can't help but fall in love with him, no matter what gender. Which is really what it's all about, right? After reading and owning three of his latest books, I've decided he's the kind of guy you want living next door to you and I'd even help him pack! Kudos and congratulations... again.

5 of 5 people found the following review helpful. Best Of The Lot By Marty From SF Michael Thomas Ford has a knack for seeing everday 'gay' matters in a completely different and skewed light. He is a strong match for anything David Sedaris has completed to date. This collection of short stories covers a wide range of subjects and territories and always manages to bring a chuckle. Remarkably, this is the kind of book that does not necessarily appeal only to gays, and in that, makes it unique. This is the best of his collections, so far, but I wouldn't discount anything he has written. He is just too much fun!

5 of 5 people found the following review helpful. You should hear him READ By A Customer I loved this book, as well as Ford's two previous collections, and I was thrilled to see that he's now released an audio collection, called MY QUEER LIFE. His essays are a joy to read, but hearing him read them himself will make you experience them like never before. Buy this book, as well as the first two, then treat yourself to the audio version. You'll laugh so much it hurts.

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It's Not Mean If It's True: More Trials From My Queer Life, by Michael Thomas Ford
It's Not Mean If It's True: More Trials From My Queer Life, by Michael Thomas Ford

Rabu, 17 Juni 2015

Massive Pissed Love: Nonfiction 2001-2014, by Richard Hell

Massive Pissed Love: Nonfiction 2001-2014, by Richard Hell

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Massive Pissed Love: Nonfiction 2001-2014, by Richard Hell

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Massive Pissed Love: Nonfiction 2001-2014, by Richard Hell

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Richard Hell may best be known as a punk icon, a founding member of seminal bands Television, the Heartbreakers, and The Voidoids, but for decades he’s been a prominent voice in American letters. Through his novels Go Now and Godlike, and his critically acclaimed autobiography, I Dreamed I Was a Very Clean Tramp, Hell has proven himself as a talented and insightful writer across many genres, in many forms. But one might argue that Richard’s true genius lies in shorter form as a writer on culture. "Love comes in spurts," Hell once sang, and that could well describe the intensity of his penetrating and wickedly droll criticism.Massive Pissed Love is a collection of Hell’s ruminations on art, literature, and music, among other things, that’s like a candy box of reading treats, a bag of shiny marbles, a cabinet of mementos and uncanny fetishes. However one thinks of it, it’s a joy to read from start to finish and a deeply necessary addition to the oeuvre of one of the sharpest minds and sensibilities at work today.

Massive Pissed Love: Nonfiction 2001-2014, by Richard Hell

  • Amazon Sales Rank: #440161 in Books
  • Brand: Soft Skull Press
  • Published on: 2015-10-13
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.90" h x .80" w x 5.90" l, .0 pounds
  • Binding: Paperback
  • 304 pages
Massive Pissed Love: Nonfiction 2001-2014, by Richard Hell

Review Praise for Massive Pissed Love"Hell is funny and abrasive and blunt, across a wide array of interests."—Literary Hub"He’s a sharp and masterful writer, the kind of scribe who can take any subject and wax at equal turns poetic and profane on it. ... Hell has wisely compiled his writings on music, art, literature, culture and anything else that grabs his fancy beneath the odd but appropriate title Massive Pissed Love. There’s snark a-plenty here, but there’s much more than that, too. Call it a celebration of the meanderings of an uber-keen mind."—Buffalo News“Fuel for Hell’s minions, a fan’s notes for fans.”—Kirkus“For fans of Hell’s personal mythos and/or musings on others, Massive Pissed Love is the must-read.”—The Village VoicePraise for I Dreamed I Was A Very Clean Tramp:“A rueful, battle-scarred, darkly witty observer of his own life and times.” —New York Times“In his poetic memoir, I Dreamed I Was a Very Clean Tramp, Hell takes us on a tour of a lost world and stakes out his place in cultural history.” —Los Angeles Times“Hell brings to his new autobiography more literary experience than your typical rock memoirist…I Dreamed I Was a Very Clean Tramp ultimately celebrates passion, in all its complicated, sometimes dangerous forms.” —USA Today“This valuable book... is not only an absorbing cultural history but also a clear-eyed story that superbly channels the attitude expressed in the first blurt to his best-known song ‘Blank Generation’: “I was saying let me out of here before I was even born.” —Boston Globe“Mr. Hell has an excellent new memoir, I Dreamed I Was a Very Clean Tramp, that describes that wild, reckless and important era in downtown Manhattan with candor, wit and reverence.” —The Observer“His book shines its own dirty light. Which means it has lots of sex, drugs, and rock’n’roll. Pick up I Dreamed I Was a Very Clean Tramp, if you want poetry and insight.” —Spin“There are many shivery, illicit pleasures in this louche memoir… Hell was a virtuoso of taste, a critic with a sensibility so fine and unconventional it bordered on its own form of art… weird and singular and superbly self-aware.” —BookForum“Hell is an enthusiastic reporter of the critical artistic crossover of the avant-garde art scene and the world of punk rock... his account rings true and it entertains... a treasure both to those present during gritty, heady ‘70s NYC and to those not.” —Time Out New York, 4 Stars“Hell brings his searingly honest songwriting style to this candid and page-turning memoir... [Hell’s] portrait of the artist searching for himself offers a glimpse into his own genius as well as recreating the hellishness and the excitement of a now long-gone music scene in New York City.” —Publishers Weekly, Starred review“A skilled writer…In recalling the days when love came in spurts, Hell is precise, telling a lot without ever seeming to tell too much. He nails the essence of both scenes and people, from rock peers to exploitative record producers…A deft, lyrical chronicle.” —Kirkus“Hell is a fine writer and full of self-knowledge, and part of the pleasure of this randy, drug-addled memoir are his descriptions of New York during the bad old days when crime was rampant and the streets filthy. A compelling and entertaining memoir.” —Booklist“Before Richard Hell, all was darkness. He can rightly claim to have started ...everything...Poet, musician, fashion icon and terrific, terrific writer. Chances are, you have been deeply influenced by Richard Hell your whole life. You just didn’t know it.” —Anthony Bourdain“Richard Hell designed and executed a sustained performance of rock stardom as if he had invented the concept himself. Radically self-aware, he wields prose keen as a diamond knife, sharpened by the light of the moon.” —Luc Sante, award winning author of Low Life“An exquisite snapshot of early punk possibility—that so beautifully captures the exuberance of starting a band!” —Legs McNeil“Charming and impossible, Hell is the first (and best!) name in punk rock. His insights are informed by the romance of running away to the mystery heard in the rowdy grooves of a dirty LP or in the pages of a thumbed book of verse.” —Thurston Moore“Tramp gave me the same feeling I had as a kid... I cozied up and fell in love with a world that wasn’t mine. There are very few books that make me want to start writing my own; this is one of them.” —Kathleen Hanna“Other rock bios are tasteful and cautious — you feel the writer take you to a certain point but then pull back... Hell will take you right there, and that is why this book is an honest and special treat.” —Dean WarehamPraise for Hot and Cold:"... It's a defining history lesson, a moving, brainy personal exploration, and literature at its most uncompromising and greatest." —Dennis Cooper"...It works as both punk memoir and a universal coming of age story about being young, rude and less stupid than you put on." —Gear"Hot and Cold is remarkable for its enthusiasm and generosity of spirit." —Blender“...From the beginning, Richard Hell has burned with the same blue flame of misfit insight and desperate beauty.” —Jerry Stahl in Bookforum“...Neo-punks and the alternative "whatever" crowd will enjoy this beautifully printed document of overlapping subcultures.” —Publishers Weekly“Hell is a genuine writer... some of the best writing about rock I’ve ever read.” —David Dalton in Gadfly

About the Author Richard Hell remains a crucial voice of our culture. He’s currently conducting an interview/performance series at Symphony Space in New York, “A Night Out with Richard Hell,” as well as giving readings and talks internationally, while focusing primarily on a novel in progress. He’s published journalism in Spin, Bookforum, The New York Times, Esquire, the Village Voice, Art in America, and many other outlets. Hell was the film critic for Black Book from 2004-2006. He’s the author of an autobiography, I Dreamed I Was a Very Clean Tramp (Ecco, 2013), and the novels Go Now (Scribner, 1996) and Godlike (Akashic, 2005), as well as the collection of essays, diaries, and lyrics Hot and Cold (powerHouse, 2001).


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4 of 4 people found the following review helpful. Beauty and Truth By Susan K. Noel Once again the brilliant writer and thinker Richard Hell has given us a surprising and wonderful book. One of the best things about his writing is that he never does the same thing twice -- he remains unpredictable, which only adds to the pleasure of a new book. In this one, we get to see not only what he thinks but how he thinks, what he values, and why. That's what makes it unique and irreplaceable. The "massive" part is the knowledge he has gleaned and held onto over the years of his adventurous life, and the love, clearly, is a passion for beauty and truth. He knows the difference, and he knows that this is not all we need to know on earth -- but he knows that beauty is necessary, not a luxury, and that it is also a way to find, and keep finding over the years, truth. To me, his writing is exactly that, a connection to beauty and truth -- always with a beat you can dance to. And if you want to know what the "pissed" is about -- just sit there and think about all the many different ways to read that word, and how they might fit together, or not. I think it means passion: it's draw, it's lifting quality, the way it makes life (which continues to get harder) more negotiable. I just finished reading this book, and I want to start right over and read it again. No higher praise.

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CALL ME TIGER (Sebastian J.Stone Trilogy Book 3), by SEBASTAIN J. STONE

CALL ME TIGER (Sebastian J.Stone Trilogy Book 3), by SEBASTAIN J. STONE

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Tiger is a beautiful Palestinian man with a history of problems whom I befriended.

CALL ME TIGER (Sebastian J.Stone Trilogy Book 3), by SEBASTAIN J. STONE

  • Amazon Sales Rank: #2965724 in eBooks
  • Published on: 2015-06-11
  • Released on: 2015-06-11
  • Format: Kindle eBook
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0 of 0 people found the following review helpful. oh Tiger! By Johanna Lawrynowicz What we can say about Tiger except that he is a thoroughly bad boy with the ability to illicit love and, even devotion? Sebastian Stone falls in love and commits himself to saving Tiger's six-year-old daughter's life. Sebastian finds happiness even euphoria, if only briefly. A complex book but written with Mr.Stone's usual ironic style. It is a tragic but endlessly funny daily account of manipulation and self-deception. The sex is, as always informative giving unambiguous insight into this misterious but fundamental activity.

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Serial Killers: True Murder Stories And Murder Mysteries Of Some Of The Most Vicious Serial Killers Of All Time (Serial Killers, True Crime,

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Serial Killers: True Murder Stories And Murder Mysteries Of Some Of The Most Vicious Serial Killers Of All Time (Serial Killers, True Crime, True Crime ... True Crime, Serial Killers True Crime), by Jason Keeler



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True Murder Stories And Murder Mysteries Of Some Of The Most Vicious Serial Killers Of All Time

*****Get Your FREE BONUSES When You Download This Book!*****Erik Erikson, a psychoanalyst, formulated the developmental stages of a person from birth to death. His theory insists that a person developed trust not from adulthood, but from childhood. After a baby is born and up to it's 2nd year, it's existential question is, “Can I trust the world?” Hence, if a child is neglected, they would see the world as a scary place to live in. They may grow up wary, and if this wariness is reinforced by further lack of care, they could live to be a very miserable adult. Serial killers are proof of this theory-- learn the makings of the world’s most vicious murderers in this book. Some kill in a 'usual' fashion, others kill for what appears to be no reason, but the one thing all these serial killers have in common, is they were vicious.

Here Is A Preview Of What You'll Learn...

  • Serial Killers – The Family Terminator
  • Serial Killers – The Mother Hater and His Vicious Crimes
  • Serial Killers – Sacramento's Crazed 'Vampire'
  • Serial Killers – The 1891 Serial Killer
  • Serial Killers – What Kind of Upbringing do Serial Killers have in Common?
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    • Amazon Sales Rank: #249481 in eBooks
    • Published on: 2015-06-23
    • Released on: 2015-06-23
    • Format: Kindle eBook
    Serial Killers: True Murder Stories And Murder Mysteries Of Some Of The Most Vicious Serial Killers Of All Time (Serial Killers, True Crime, True Crime ... True Crime, Serial Killers True Crime), by Jason Keeler


    Serial Killers: True Murder Stories And Murder Mysteries Of Some Of The Most Vicious Serial Killers Of All Time (Serial Killers, True Crime, True Crime ... True Crime, Serial Killers True Crime), by Jason Keeler

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    0 of 0 people found the following review helpful. Serial Murders By ron_barnes A good book albeit too short. True crime aficionados will enjoy this work, as it provides the detail needed for further research. I dislike these "cliff notes" type books but this one is pretty decent.....

    0 of 0 people found the following review helpful. DerNever heard of these ones By julie morse This was by far the best true murder stories. I never heard of any of them. The guy who killed his grandparents and the mom took him back that says a lot about her physique too.

    0 of 0 people found the following review helpful. Serial Killers By Lesia Harding Mr. Keeper writes with an ease that the "every" man can understand. Could have been a little more in depth with fact and statistics, but otherwise, a nice, easy read.

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One More Minute, by Jesiah Dean MacDonald

One More Minute, by Jesiah Dean MacDonald

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One More Minute, by Jesiah Dean MacDonald

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Becoming a man is not a straight forward process for anyone. Growing up in rural Nova Scotia, having been misdiagnosed as female at birth, Jesiah faced some unique challenges in his own path to adulthood. In this frank and funny conversational memoir, Jesiah reflects on painful events in his past and the strengths he's gained overcoming the obstacles life has thrown at him.

One More Minute, by Jesiah Dean MacDonald

  • Amazon Sales Rank: #5327191 in Books
  • Published on: 2015-06-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .14" w x 5.00" l, .15 pounds
  • Binding: Paperback
  • 58 pages
One More Minute, by Jesiah Dean MacDonald

About the Author Jesiah MacDonald hails from New Glasgow, a small town in the Northumberland region of Nova Scotia, where he lives with his two cats and co-conspirators, Fluff and Rascal. You can also find more of Jesiah’s raw, gritty, sarcastic style on his YouTube channel, JesiahMac.


One More Minute, by Jesiah Dean MacDonald

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0 of 0 people found the following review helpful. Quite a Story! By chunkeeone This is a funny, yet heart-string-tugging story. It is filled with a quirky realism that I can identify with, personally, and touches on a main subject matter that should not be ignored.The discrimination transgender individuals encounter is very similar to the struggle many others have had to fight against over the years, regarding simple civil rights... But quite a bit worse in its own way.Jesiah captures a little of that in this short story that he was brave enough to share with the world. It describes some of his struggles, heartache and eventual triumphs that he has experienced in dealing with a society that has ignored people like him for far too long throughout history.I highly recommend this book... as a transgender memoir and as a good motivational book, because it amplifies the fact that you should never give up on your dreams, no matter how far away they may seem or what obstacles are in your way.

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Selasa, 16 Juni 2015

History's Greatest Artists: The Life and Legacy of Salvador Dali, by Charles River Editors

History's Greatest Artists: The Life and Legacy of Salvador Dali, by Charles River Editors

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History's Greatest Artists: The Life and Legacy of Salvador Dali, by Charles River Editors

History's Greatest Artists: The Life and Legacy of Salvador Dali, by Charles River Editors



History's Greatest Artists: The Life and Legacy of Salvador Dali, by Charles River Editors

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*Includes pictures *Includes Dali's quotes about his life and art *Includes online resources and a bibliography for further reading *Includes a table of contents “Each morning when I awake, I experience again a supreme pleasure - that of being Salvador Dali.” – Salvador Dali In his review of Salvador Dali’s first autobiography, George Orwell declared that “One ought to be able to hold in one’s head simultaneously the two facts that Dali is a good draughtsman and a disgusting human being.” Whether or not one agrees with the famous author’s assessment, Orwell captures the polarizing nature of Salvador Dali, and the extent to which his undeniable technical virtuosity often brushed against his penchant for provoking his audiences (not to mention provoking long-entrenched standards of “proper” taste). Dali, after all, was unafraid to eschew Renaissance perspective, thereby incorporating often graphic subject matter. In other words, if Dali stands as one of the canonical figures of modern art, this involved holding both a seminal role in the canon of cutting-edge art but also a tendency to challenge audiences, challenging the contours of “Art with a Capital A.” While Orwell may have separated Dali the master technician from Dali the person, it would be more accurate to acknowledge that the virtues of Dali’s art cannot be dissociated from its provocative nature. Always a showman, Dali’s very public persona was predicated on pushing the boundaries of artistic form, content, and professional identity. He was also not alone in this regard, and Dali’s career cannot be separated entirely from important modern art movements, particularly surrealism. Indeed, Dali’s genius lay not only in his undeniable gifts as an artist but in his savvy ability to market himself and befriend major figures in the art movements of his historical moment. His friendships with Luis Bunuel and Federico Garcia Lorca deserve particular mention within the contexts of his career and European modernism more broadly. Perhaps it’s no surprise that Dali’s life and art took many turns and was quite diverse. The foundations for both his love for art and his public persona came from his background growing up, but at the same time, the showmanship with which Dali carried himself was in many respects a façade; his upbringing brings to light the insecurities and anxieties that were not just contained within his childhood but informed his personal and professional lives as an adult. History’s Greatest Artists: The Life and Legacy of Salvador Dali looks at the personal background that led to Dali becoming an artist and the cultural climate in which he rose to fame. Dali’s technique and artistic legacy are also analyzed, including his working methods and artistic education. Along with pictures of important people, places, and events, you will learn about Dali like never before, in no time at all.

History's Greatest Artists: The Life and Legacy of Salvador Dali, by Charles River Editors

  • Amazon Sales Rank: #3916778 in Books
  • Published on: 2015-06-26
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .13" w x 6.00" l, .19 pounds
  • Binding: Paperback
  • 56 pages
History's Greatest Artists: The Life and Legacy of Salvador Dali, by Charles River Editors


History's Greatest Artists: The Life and Legacy of Salvador Dali, by Charles River Editors

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0 of 0 people found the following review helpful. Decent book By Alexa Gonzales I thought this book would be more reflective of the life and personality of Dali. It was more about artistic evolution and the history of his surrealist relevance. It was a good read, though, I wouldn't say it's a biography so much.

0 of 0 people found the following review helpful. Very readable and a good summary for the beginner By Denise I read this after visiting a Dali museum for the first time. A great, quick overview for a newbie. Lots of info without making me feel stupid.

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History's Greatest Artists: The Life and Legacy of Salvador Dali, by Charles River Editors

History's Greatest Artists: The Life and Legacy of Salvador Dali, by Charles River Editors
History's Greatest Artists: The Life and Legacy of Salvador Dali, by Charles River Editors

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Kamis, 11 Juni 2015

50 Years in the Mouse House: The Lost Memoir of One of Disney's Nine Old Men, by Eric Larson

50 Years in the Mouse House: The Lost Memoir of One of Disney's Nine Old Men, by Eric Larson

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50 Years in the Mouse House: The Lost Memoir of One of Disney's Nine Old Men, by Eric Larson

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50 Years in the Mouse House: The Lost Memoir of One of Disney's Nine Old Men, by Eric Larson

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The Studio Life of a Disney Legend

Eric Larson, one of Walt Disney's famed "Nine Old Men", went to work at the studio in 1933 and left in 1986. He knew everyone at Disney who was anyone, and he kept a diary of the personalities, the pranks, and the politics. This is his warm, witty story.

In June 1933, young Eric Larson sent some of his sketches to the Disney Studio. A man named Dick Creedon liked what he saw and hired Larson as an inbetweener, the bottom of the pole at Disney, but that didn't last long. Soon, Larson became an assistant to top Disney animator Ham Luske, helping out on Fantasia.

From there, Larson met and worked with the very best at the studio, including Walt himself. Later, he gave a series of lectures on animation and established a talent program which brought new generations of gifted animators into the Disney fold.

In addition to Larson's memoirs, 50 Years in the Mouse House contains:

  • A never-before-seen reproduction of the many notes and sketches in Larson's notebook from his 1942 trip to Mexico with Walt Disney
  • All fourteen of Larson's influential Disney Studio lectures on animation
  • An article by Disney historian J.B. Kaufman, a foreword by Disney Legend Burny Mattinson, and a remembrance by former Larson protege Dan Jeup

Enjoy this unique, entertaining, and educational perspective on the Disney Studio by one of its greatest talents!

50 Years in the Mouse House: The Lost Memoir of One of Disney's Nine Old Men, by Eric Larson

  • Amazon Sales Rank: #580149 in eBooks
  • Published on: 2015-06-26
  • Released on: 2015-06-26
  • Format: Kindle eBook
50 Years in the Mouse House: The Lost Memoir of One of Disney's Nine Old Men, by Eric Larson


50 Years in the Mouse House: The Lost Memoir of One of Disney's Nine Old Men, by Eric Larson

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5 of 5 people found the following review helpful. absolute "must have" for any Disney historian or Animation bu By Wulfstan This is one of the most important books yet published by Bob McLain and his Theme Park press. This is nothing less that the memoirs for one of the "Nine Old Men" the senior Animators that Walt depended on for the early years.Eric Larson (September 3, 1905 – October 25, 1988) was for years a Animator, lead Animator and Director for Disney. His work can be seen in: Snow White and the Seven Dwarfs, Pinocchio (Figaro), Fantasia, Bambi, Cinderella, Alice in Wonderland, Peter Pan, Lady and the Tramp ("Peg" was his creation), Sleeping Beauty, 101 Dalmatians, The Sword in the Stone, The Jungle Book, The Aristocats, Three Caballeros and Robin Hood .Later- in 1973 Eric became in charge of training and recruitment, and trained the new waves of Disney animators such as Brad Bird, Don Bluth, Chris Buck, Tim Burton, Randy Cartwright, Ron Clements, Andreas Deja, Gary Goldman, Ed Gombert, Mark Henn, Dan Haskett, Glen Keane, Bill Kroyer, John Lasseter, John Musker, Phil Nibbelink, Richard Rich, Burny Mattinson, Melvin Shaw, Jeffrey J. Varab, John Pomeroy, Joe Ranft, Jerry Rees, Henry Selick and Tad Stones among many others.Here we find pages of his diary, including sketches made from his trip to Mexico, from whence Three Caballeros came. We also can read his training notes and lectures on the art of animation.We also get a article by Disney Historian J.B. Kaufman, a intro by Disney Legend Burny Matttinson, and notes by animator Dan Jeup.Not as much a "fun & easy read" as others, but this book is a absolute "must have" for any Disney historian or Animation buff.

2 of 2 people found the following review helpful. 50 Years in the Mouse House By Daniel Butcher Over the last few years and I have gotten deeper and deeper into Disney history I have heard the names of Disney's Nine Old Men several times. But some of them have been obscure to me. Marc Davis had the benefit of a career that extended into the parks leading us to reflect on his animation years. And Ward Kimball had a personality that cannot help but fascinate. For me Eric Larson is one of these legends I had stumbled upon and made an impression of, the teacher, but he was still shadow and not substance to me. Now I can say I think I understand Larson in a more personal way.50 Years in the Mouse House: The Lost Memoir of One of Disney's Nine Old Men by Eric Larson edited by Didier Ghez and Joe Campana allows Larson to share about his life and career in his own words with some refection by others. The text is broken into several short segments by and about Larson which include a biography and background on Larson's lost memoir. The main features of the book itself include Larson's memoir, once believed lost but uncovered in some of the late legend's papers. The memoir written in the 1980s discusses his arrival at Disney, the men he worked with, Sleeping Beauty and the studio strike. This is followed by a collection of Larson's smaller thoughts and quotes on similar topics. The editors follow the memoir with a reproduction of Larson's notebook from his 1942 trip to Mexico in cooperation with the studio and the Good Neighbors program. The reproduction includes a transcription of the notebook and copies of the notebook pages including his drawings for the researcher to observe themselves. Larson's writings end with 14 lectures by Larson on animation. And finally, another view of Larson is provided by Dan Jeup who was mentored by Larson beginning in his teenage years.As I said, I feel like I have a much better idea of who Larson is now. He appears to be a "simple" man in the good sense, being true to himself and consistent in his interactions. Larson was a teacher, one who gave willingly of his time to those younger than himself both in small and large settings. And he was animator that believed that animation was acting, full of motion and emotion. Larson taught Disney staff not to draw but to bring living stories to the frame.I do think this is an important text. Now, to be fair that does not mean it is always the most readable. Larson's writing can be somewhat slow at times. And the segments do not provide a biography that transitions flawlessly. The lectures are lectures, they are technical and include content that may not naturally catch the interest of the non-professional. Now that being said, this is a book every Disney animation history and fan needs. Because, you do get to read Larson in his own words. You get accounts of Larson in the first person from those who know him. And finally his animation lectures are a treasure trove of information for those who wish to know about Disney animation philosophy during Larson's time. This text will serve as a key primary source on Disney animation in a easy to access package. And the editors have done an excellent job in ensuring readers get plenty of extra content beyond the relatively short lost memoir.50 Years in the Mouse House: The Lost Memoir of One of Disney's Nine Old Men reveals Eric Larson the man...a Disney legend and a key Disney animation mentor. By the time one completes the text the reader will feel as if they know Larson the man, mentor and animator. And the volume will be a must read Between Book for Disney animation researchers.Review Copy Provided by Theme Park Press

3 of 4 people found the following review helpful. If you are any kind of a Disney follower, ... By Randall Alan Wortman If you are any kind of a Disney follower, you MUST get a copy of 50 Years In The Mouse House..You will find out much more about Disney than you ever knew before. It draws you in, ha ha, and you will not want to put it down. It is a real page turner. So run, do not walk and order yours today!

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50 Years in the Mouse House: The Lost Memoir of One of Disney's Nine Old Men, by Eric Larson
50 Years in the Mouse House: The Lost Memoir of One of Disney's Nine Old Men, by Eric Larson

Kamis, 04 Juni 2015

A History of the United States for Schools, by John Fiske, Frank Alpine Hill

A History of the United States for Schools, by John Fiske, Frank Alpine Hill

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A History of the United States for Schools, by John Fiske, Frank Alpine Hill

A History of the United States for Schools, by John Fiske, Frank Alpine Hill



A History of the United States for Schools, by John Fiske, Frank Alpine Hill

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A History of the United States for Schools, by John Fiske, Frank Alpine Hill

  • Published on: 2015-10-25
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.21" h x 1.31" w x 6.14" l, 2.31 pounds
  • Binding: Hardcover
  • 628 pages
A History of the United States for Schools, by John Fiske, Frank Alpine Hill


A History of the United States for Schools, by John Fiske, Frank Alpine Hill

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0 of 0 people found the following review helpful. I have an original copy By Jeremy A. Perron One of the greatest little treasures that I have in my book collection is a 115-year history book, simply entitled the History of the United States. The book is written by a man named John Fiske. John Fiske is a man with an agenda. He is very upset, because when he lived and wrote this book, the 1890s; there was tendency, especially after 1876, to speak of 1776 as the beginning of our nation at the expense of the colonial period. Something that he seeks to rectify with this book, which does cover the colonial period with great detail. There is a tear in the cover which, while tragic, does seem to revel that it was made with recycled paper, the inside of the cover looks like it was once a page in dictionary. The book was written for teachers to help with their classes and the end of each chapter is filled with advice on how to best relate the material to the students.The book starts with a map of the then 'modern' United States showing the time zones as they existed back then, and each of the forty-five states have the date in which they entered the Union. The book's written part begins with discussion on the last presidential election 1892: Grover Cleveland vs. Benjamin Harrison, round 2. He discusses the then homogenous nature of the United States, which was not entirely true but was a lot truer then than now. Not surprisingly there is a good deal of racism in the book, and although it is not hateful racism it is there. For example, when discussing slavery, which he condemns as evil and immoral--which is not surprising because it was stopped in his lifetime--he states that there was 'not a job a slave could do that white person could not do better.' He then goes on to explain how slavery was not only morally wrong, but economically inefficient. I do fell after reading his work, that if knew Fiske personally I could probably point out to him some his racial bias in his work and perhaps he might have addressed them. For example, replace the 'white' with 'free' and his economic anti-slavery argument is upheld.Fiske engages in a lot of presentism, he judges events by standards of the late 19th century. He often lets you know his personal opinion on all sorts of matters. He thought King Charles II of England was nothing short of an idiot, whose only good trait was he was not as dangerous as his father, King Charles I.I will give the man credit for his ability to explain things that are very complicated by simplifying them and laying out the facts for his reader to follow along. A good example is how he explains the reason behind the British response to the American cause of 'no taxation without representation.'"There was then going on in England a hot dispute over the very same business of 'no taxation without representation,' and it was a dispute in which the youthful king felt bound to oppose Pitt to the bitter end. Let us see what the dispute was.In such a body as the British House of Commons or the American House of Representatives, the different parts of the country are represented according to population. For example, to-day New York, with over 5,000,000 inhabitants, has thirty-four representatives in Congress, while Delaware, with about 170,000 inhabitants, has only one representative. This is a fair proportion; but as population increases faster in some places than in others, the same proportion is liable to places than in others, the same proportion is liable to became unfair. To keep it fair it must now and then be changed. In the United States, every tenth year, after a new census has been taken, we have the seats in the House of Representatives freshly redistributed among the States, so that the representation is always kept pretty fair. A hundred men in any one part of the country count for about as much as a hundred men in any other part.Now in England, when George III, came to the throne, there had been nothing like a redistribution of seats in the House of Commons, for more than two hundred years. During that time, some old towns and districts had dwindled in population, and some great cities had lately grown up, such as Manchester and Sheffield. These cities had no representatives in Parliament, which was up-surd and unfair as it would be for great states like Missouri to have no representatives in Congress. On the other hand, little towns and thinly populated districts kept on having as many representatives as ever. One place, the famous Old Sarum, had members in Parliament long after it had ceased to have any inhabitants at all!The result was that people could not get representation in Parliament by fair means got it by foul means. Seats for little towns and districts were simply bought and sold and such practices made political life at the time very corrupt. Parliament did not represent the people of Great Britain; it represented a group of powerful persons that could buy up enough seats to control the majority of the votes."p.192-3A very good explanation if there ever was one. I like the comparison to 'modern' New York and Delaware. Imagine only ten million people living in New York State!In the table of contents the Civil War is followed by 'modern events.' To him the Civil War was like Civil Rights Struggle for my parents, something that he lived through and had firsthand knowledge of, but was too young at the time to really appricate. As big Union man, I love Fiske's introduction to the Civil War."About this time for the sake of conciliation, several northern states either modified or repelled their personal liberty' laws. In general, the attitude of the North was such that the seceders cherished a strong hope of accomplishing their purpose without war. A great many people in the North seemed ready to surrender almost anything to avoid bloodshed. All sorts of weak suggestions were made by men usually bold and firm and there was no telling what might have happened but for one man, the gentlest but most unflinching of men, who was prudent enough to make the last stage of his journey to Washington in secret, because rumor had threatened him with assassination on the way. When Abraham Lincoln took his place at the White House, it soon appeared that the distressed ship of state had a firm hand at the helm."p.367At the end of the book is a phonics section to help the reader pronounce the names and large unfamiliar words. There is also a good index section and a suggested reading list to help you further expand your knowledge. The whole is a classic; it is marvelous reading about our 'new' Statue of Liberty.' In the end I would like to share my 'favorite' passage, it is about something that is very bad but I love his take on the whole thing."The attention of the English began to be turned towards America soon after 1560, early in the reign of Queen Elizabeth. About that time the famous sailor Sir John Hawkins, began kidnapping negroes on the coast of Guinea and bringing them to the West Indies to sell them to the Spanish colonists for slaves. Very few people in those days could see anything wrong in slavery; it seemed as proper to keep slaves as to keep cattle and horses. When Hawkins was made a knight, he took as part of his coat-of-arms the picture of a captive negro bound with a cord. Hawkins was an honest and pious man, but he actually felt proud of his share in the opening of the slave trade, as a profitable trade for England. In our time nobody but a ruffian would have anything to do with such a wicked an horrible business. Changes of this sort make us believe the world is growing to be better then it use to be. But improvement is very slow."p59-60It is very slow, sometimes too slow, but he is right as humanity grows it does change for the better, we hope.

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A History of the United States for Schools, by John Fiske, Frank Alpine Hill