Banksia Lady: Celia Rosser, Botanical Artist (Biography), by Carolyn Landon
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Banksia Lady: Celia Rosser, Botanical Artist (Biography), by Carolyn Landon
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This is the story of Celia Rosser, the internationally acclaimed botanical illustrator, who ultimately dedicated her life to painting the entire genus of Banksia, the only artist to have done such a thing. Celia's dedication to the task put her at the center of the Monash Banksia Project, underwritten by Monash University (Australia) for 25 years and culminating in the production of an extraordinary three-volume florilegium that became one of the great books published in the 20th century. This is also the story of the emergence of an artist who grew up in difficult circumstances during the Great Depression and pursued her art partly as a way of protecting herself from the harsher side of life. The narrative stays focused on the path of the artist, as Celia grows up, develops her talent, and learns to understand and take advantage of it. The story follows her struggles to pursue her artistic passion while fulfilling the expectations of women in 1950s to subordinate themselves to their husbands as wives and mothers. In telling this story of Celia Rosser's unparalleled talent and extraordinary achievement, the book explores the history of botanical illustration, botany, academia, gardens and their herbarium, and Australia's place in changing the shape of the world. *** Librarians: ebook available on ProQuest and EBSCO *** "Landon's biography captures both the spirit of the woman and the momentousness of her artistic achievement." -- Fiona Gruber, Australian Book Review, October 2015 (Series: Biography) [Subject: Biography, Art, Botany, History, Australian Studies, Women's Studies, Gardening]
Banksia Lady: Celia Rosser, Botanical Artist (Biography), by Carolyn Landon- Amazon Sales Rank: #3295604 in Books
- Published on: 2015-06-30
- Original language: English
- Number of items: 1
- Dimensions: 9.60" h x .60" w x 6.70" l, .81 pounds
- Binding: Paperback
- 294 pages
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0 of 0 people found the following review helpful. The fine quality of Celia Rosser’s painting is something rarely seen ... By Cora Wolswinkel There is flower illustration (art), and there is botanical illustration (science). Mostly, the importance of the botanical illustration is the accuracy of depicting a species. The fine quality of Celia Rosser’s painting is something rarely seen in this field.In the early 1970s, Monash University recruited Rosser for ‘The Banksia Project,’ recognizing that they had found an artist capable of recording the notoriously difficult to illustrate Banksia species.The three-volume florilegium (Latin, literally meaning a gathering of flowers), containing all 76 banksia paintings, became one of the great books published in the twentieth century – a work of international significance.The project took Rosser 25 years to complete. It was an intense effort.Banksia Lady is the story of how Celia Rosser became one of the world’s greatest botanical illustrators that ever lived. Never losing focus of the artist, Landon manages to explore how and why Rosser strived and struggled to pursue her artistic passion.The author Carolyn Landon has written several award-winning memoirs and biographies, including Jackson’s Track – Memoir of a Dreamtime Place (co-authored with Daryl Tonkin). Landon typically likes to write about ordinary people that have had extraordinary lives.Celia Rosser is such a person. Landon had no botanical knowledge before working on Banksia Lady. Characteristically, she immersed herself into the subject and researched it well, in order to tell Rosser’s story. The book explores the history of botany, botanical illustration, academia and gardens. Rosser’s favorite banksia, Banksia serrata, was the first species of Banksia collected by Joseph Banks and Daniel Solander at Botany Bay in 1770.Banksia serrata can be found at Wilson’s Promontory. Along the road to the national park, Celia Rosser has a gallery at Fish Creek. There, she sits and chats to everyone and anyone. Some have come a long way to see her; others are just dropping in on the way to the coast. Her finely tuned stories often sound like a delicious piece of gossip as if rarely shared.Celia Rosser is very much a lady of anecdotes. Landon recounts many of these in amusing detail.Over the decades, Celia has had many dealings familiar names: other than the well-known botanical personalities, we read of Malcolm Fraser, Paul Keating and John Howard (Keating was Rosser’s favorite prime minister) and even Queen Elizabeth. Yes, there are a couple of good stories there.Rosser’s finely tuned stories had to be investigated carefully, as both the author and artist searched for the deeper truth. Landon states that a memoir is fraught because although the narrative is supported by research, it is based on memory. However, Landon has limited inaccuracies as her research is a good match for the carefulness of Rosser’s painting.The chapters are structured into themes instead of timelines. This lack of continuation jarred me a little, but the overall content of the book is so absorbing that I still wanted to read on.As much of the subject matter is based on botanical principles, I feel that further explanation of the Linnaeus taxonomy system would have been useful in the narrative. I kept an eye out for the details but had to revert to Google to connect the name and the system of classification: kingdom, order, class, family, genus then species. Plant enthusiasts may dismiss this omission.It is hard to imagine an artist working in her Monash studio space for 25 years on one project, which spanned from the art-encouraging Whitlam to the conservative Howard government. Landon describes how neither Rosser nor the University were immune to the pressure of the changes during this time. Knowing that the project would have neither significance nor meaning without Rosser, the initial university staff wrapped her up in cotton wool, protecting her from the business side of the project. Therefore, Landon has unearthed many related details that Celia had been previously unaware of.A 77th species of banksia was discovered in 2000, and named Banksia rosserae to honor Celia, and acknowledge her lifelong dedication to the Banksia genus.The book is well written and is easy to read, both for plant enthusiasts and novices alike, as well as those who have never previously heard of Celia Rosser. It is a real insight to the world of botanical art. The reader gets to travel the highs and lows of Rosser’s journey.So don’t judge this book by its cover. It is an entertaining and enlightening read.© Cora Wolswinkel
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