Sydney and Violet: A Modernist Power Couple and Their Life with Eliot, Proust, Joyce, Huxley, Mansfield, Picasso and the Excruciatingly Irascible Wyndham Lewis, by Stephen Klaidman
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Sydney and Violet: A Modernist Power Couple and Their Life with Eliot, Proust, Joyce, Huxley, Mansfield, Picasso and the Excruciatingly Irascible Wyndham Lewis, by Stephen Klaidman
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This long overdue biography of the power couple who nurtured and influenced the literary world of early twentieth-century England offers an intimate look at their dazzling circle.Sydney and Violet Schiff were ubiquitous, Zelig-like figures in the most important literary movement of the twentieth century. Sydney was an admired writer and Violet was a talented musician who was among the first in England to recognize Proust’s genius; their friendships among the elite of the Modernist writers were remarkable and extensive. Stephen Klaidman tells the story of how the Schiffs, despite their commercial and Jewish origins, won a central place in the snobbish, anti-Semitic, literary world of the time. A colorful, highly personal account of the Modernist movement, Sydney and Violet brings to life a panoply of extravagant personalities: Proust, Joyce, Picasso, Mansfield, Wyndham Lewis, T. S. Eliot, Aldous Huxley, and more.
Sydney and Violet: A Modernist Power Couple and Their Life with Eliot, Proust, Joyce, Huxley, Mansfield, Picasso and the Excruciatingly Irascible Wyndham Lewis, by Stephen Klaidman- Amazon Sales Rank: #444827 in Books
- Published on: 2015-06-09
- Released on: 2015-06-09
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x .80" w x 5.18" l, .65 pounds
- Binding: Paperback
- 288 pages
From Booklist Sydney and Violet Schiff were rare creatures: people Proust the recluse was willing to dine with. Wealthy literary Londoners, the Schiffs had all but faded away until Klaidman (Coronary, 2007) found them irresistible. In a clearly relished departure for this public health expert, bioethicist, and distinguished journalist, Klaidman recovers the many-chaptered lives of the couple who worshipped Proust; befriended T. S. Eliot, Katharine Mansfield, and Aldous Huxley; and supported the vicious painter and writer, Wyndham Lewis. When they met, Violet was single at 34, and Sydney, 40, was stuck in a doomed-from-the-start marriage to a grasping woman from Louisville, Kentucky. Married two years later in 1911, Sydney and Violet rode the modernist wave in homes full of art and illustrious guests until Sydney died 33 years later. Guided by his beloved muse, editor, and champion, Sydney wrote eight novels as Stephen Hudson, a pseudonym Proust initially thought was Violet’s. Klaidman’s crisply written, deliciously gossipy, often hilarious, and painstakingly assembled double portrait celebrates the generous, influential Schiffs as “intellectually curious, passionate about literature, . . . and connoisseurs of human nature.” --Donna Seaman
Review “Fascinating. . . . A satisfying read, which sheds a useful and interesting insight on modernist circles. . . . Well-paced and full of interesting details and anecdotes.” —The Huffington Post“A fast-moving, anecdote-rich book. . . . If you enjoyed Edmund de Waal’s The Hare with Amber Eyes or Ben Downing’s Queen Bee of Tuscany and are wondering what to read next, you might try Sydney and Violet. . . . Informative and entertaining.” —The Washington Post “[Klaidman] has done us a service by rescuing Sydney and Violet Schiff from the obscurity to which the passage of the years has consigned them. . . . Anyone interested in the London literary world of the first half of the 20th century will find much to enjoy.” —The Wall Street Journal“To read about their adventures is to be transported back to the magical and mythical early years of Modernism and to appreciate the role this incredible pair played in bringing it about. . . . Klaidman has finally given the Schiffs their just due.” —Deirdre Bair, National Book Award-winning author of Samuel Beckett "[Readers can] rejoice in meeting two fascinating people who lived at the center of the major cultural movements of the early twentieth century." —Mary Gordon, author of Final Payments"A delightful way of discovering the rivalries and excesses, the nastiness and the brilliance of the early-twentieth-century English literary world. . . . Very entertaining." —Anka Muhlstein, author of Monsieur Proust’s Library"Klaidman makes clear the importance of this engaging couple." —The Buffalo News
About the Author STEPHEN KLAIDMAN was an editor and reporter for twenty-three years at The New York Times, The Washington Post, and the International Herald Tribune. He has taught at Georgetown University's Law Center and its School of Foreign Service, at Johns Hopkins University's School of Public Health, and at Pennsylvania State University. For ten years he also worked at Georgetown University's Kennedy Institute of Ethics and its Institute for Health Policy Analysis.
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Most helpful customer reviews
5 of 5 people found the following review helpful. Excellent moments amidst intellectual mediocrity By Elizabeth G. Melillo In a book treating of the distinguished literary sets at both Bayswater and Bloomsbury, to maintain overall intellectual mediocrity is a feat indeed. Though Klaidman can be an engaging writer, he has an unfortunate ability to say a great deal about very little. In Sydney and Violet, the author can analyse every comma in each note the pair received from Marcel Proust, without one's having much of a grasp about anything about either Proust or Eliot beyond quirks and deficiencies.Initially, Klaidman's perspective, which rescues literary legends from iconic adulation, seems a treat. His writing posseses a biting, ironic flair on a par with that of many authors he mentions (in style, not content.) Klaidsman's perspective, with its blend of frankness and wit, gives the entire book moments of superbly crafted writing. Unfortunately, in this biography he more frequently is in 'gossip columnist mode.' His judgements are one-sided and possibly rash, and Klaidman presents 99% negativity, often about trivial matters, for every character.By page 13, even allowing for that Klaidman bases his judgement on Sydney's 'A True Story,' Sydney's first wife - with whom he was wed at 20, with Marion still a teenager, is disposed of in totally negative terms. Reservations about commitment are hardly an unknown quality when approaching huge responsibilities, the more when a couple are very young and have limited contact, but this hardly was prophecy. Sydney's later falling in love with Violet in a split-second at the opera seems bizarre rather than moving.The writer's style indeed can be very appealing. I found the book somewhat engaging, but more because of the author's flair for language than for its content - those who know something of the authors he mentions will learn nothing new save for how much, for example, Eliot could whine. The topic had potential to be a fine biography, but it is peripheral.
4 of 4 people found the following review helpful. Renewed interest in re-reading Proust. By Bruce Oksol I will edit this entry when I finish the book. I am more than halfway through and absolutely love it. These are my immediate thoughts:Through Amazon Vine I got the most interesting book: a biography of Sidney and Violet Schiff -- a wealthy novelist and his incredible editor wife about which little is known except through a novel or two by Sydney Schiff and 1200 letters written to them from other writers.I feel pretty comfortable with Virginia Woolf, but have never fully understood the Modernists. This is the first book that puts it all together in a short 206 pages, which could probably be read in one sitting.I have no feeling or understanding for Proust, but if one has read anything of Proust (his works or biographies of him), this book provides much, much insight regarding Proust. It makes me want to go back and tackle Proust again. I tried reading his novel, but gave up; I am now energized to go back and try reading it again.Perhaps the most interesting "character" among the modernists was Wyndham Lewis. I have read "the" biography of Lewis, and it is great to see a biography validating the thoughts I have regarding Lewis: a loser and self-promoter, but apparently incredibly bright and interesting at dinner parties.TS Eliot also featured. The targeted audience: folks who want to add to their understanding about the Modernists. I have come away knowing more about Modernism than ever before. It's actually a good book to discuss with high school seniors who are interested in literature -- it provides a nice snapshot of Modernism, TS Eliot, Proust, and Wyndham Lewis.
3 of 3 people found the following review helpful. Interesting and Readable By John Green I am a fan of T.S. Eliot, so I was excited to be able to read this book. I find it to be informative, well researched, and a very good read.The book details the lives of Sydney and Violet Schiff, with emphasis on their role in the "modernist" literary movement of the 1910-1930's. I have read a number of biographies of T.S. Eliot, and even on on his first wife Valerie. However I was not aware of the influence that the Schiffs had on his life. These two people were independently wealthy and supported a number of young artists (both literary and painting), both with money and with emotional and intellectual support. They were basically very active socially with almost all of the people who were at the core of the London literary scene of that era.There is considerable detail in the book about Proust, Eliot, and especially Wyndham Lewis. I found it fascinating to read another aspect of the time. The writing style is quite interesting; he is conversational, so reading the book is like having the author speak with one personally. I enjoyed the style - it was not stilted or "historical" at all, and yet provided great information.Sydney did not write a biography, so the author was forced to work from letters (and many of those were not saved or are now lost), along with interviews of relatives for the later years. As a result the book, while interesting, does not have the kind of detailed scholarship (i.e. documentation) in the form of notes. I didn't read the book for any kind of study course, so this does not bother me.The only thing I found a bit hard was when the author went into a detailed analysis of parts of Lewis' book "Apes of the Gods". All I can say is that I'm glad he read the book instead of me having to read it, because this part (in the last chapter) was a bit difficult to get through. I realize that the author was attempting to use the book, which satirized Sydney and Violet, to give the reader a better idea of the man, but personally I thought he got too bogged down in the details of the book. It didn't really help my understanding; I was too busy trying to get through the sentences. Otherwise the book was quite readable.Summary: If you are interested in Proust, Wyndham Lewis, or Eliot - or of course, Sydney and Violet Schiff, then this book will be good reading. Highly recommended for those interested in the early Modernist movement.
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