Freeman's: Arrival: The Best New Writing on ArrivalFrom Grove Press
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Freeman's: Arrival: The Best New Writing on ArrivalFrom Grove Press
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We live today in constant motion, traveling distances rapidly, small ones daily, arriving in new states. In this inaugural edition of Freeman's, a new biannual of unpublished writing, former Granta editor and NBCC president John Freeman brings together the best new fiction, nonfiction, and poetry about that electrifying moment when we arrive.Strange encounters abound. David Mitchell meets a ghost in Hiroshima Prefecture; Lydia Davis recounts her travels in the exotic territory of the Norwegian language; and in a Dave Eggers story, an elderly gentleman cannot remember why he brought a fork to a wedding. End points often turn out to be new beginnings. Louise Erdrich visits a Native American cemetery that celebrates the next journey, and in a Haruki Murakami story, an aging actor arrives back in his true self after performing a role, discovering he has changed, becoming a new person.Featuring startling new fiction by Laura van den Berg, Helen Simpson, and Tahmima Anam, as well as stirring essays by Aleksandar Hemon, Barry Lopez, and Garnette Cadogan, who relearned how to walk while being black upon arriving in NYC, Freeman's announces the arrival of an essential map to the best new writing in the world.
Freeman's: Arrival: The Best New Writing on ArrivalFrom Grove Press- Amazon Sales Rank: #96586 in Books
- Published on: 2015-10-13
- Original language: English
- Number of items: 1
- Dimensions: 8.10" h x .90" w x 5.40" l, .0 pounds
- Binding: Paperback
- 304 pages
Review Praise for Freeman's: Arrival"There's an illustrious new literary journal in town . . . [with] fiction, nonfiction, and poetry by new voices and literary heavyweights—Haruki Murakami, Lydia Davis, Louise Erdrich—alike."—Vogue.com“A terrific anthology . . . Haruki Murakami, David Mitchell and a host of other lively writers let loose their imaginations in editor John Freeman’s first outing with a new literary journal that is sure to become a classic in years to come.”—San Francisco Chronicle“Looking at what John [Freeman] has put together in this first edition, I’m struck by how many names I don’t know and how diverse and global it is. My only disappoint is that it’s going to be twice a year—I think we need it 4 times a year.”—James Wood, Radio Boston“Illuminating new work . . . Perfect reading for our ever-accelerating times.”—NPR’s Book Concierge“[Freeman] wants writers to be seen. He believes in the stories they tell . . . While the roster of writers included in the first issue is impressive—in addition to Mr. Keret, Ms. Carson, Mr. McCann and Mr. Hutchinson, you’ll also find the likes of Haruki Murakami and Dave Eggers—and the stories they tell in Freeman’s feel like hands reaching out from the ether to save the reader from everyday life, they connect . . . Freeman’s is very much like New York, a melting pot where folks can be themselves . . . The world has certainly arrived in the pages of Freeman’s.”—New York Observer“Freeman’s is fresh, provocative, engrossing.”—BBC.com, “Ten books to read in October”“A first-rate anthology of bold, searching and personal writing by emerging and established writers on the theme of arrival . . . If this first installment is anything to go by, it has all the hallmarks of a promising new project . . . Prepare to be transported.”—Minneapolis Star-Tribune"Freeman's sets a new standard for literary journals. It’s a welcome addition to the ever-growing roster of publications out there today. It’s refreshing and full of nuanced stories that will linger with you long after you finish them. I can’t wait to see how this publication takes off."—Chicago Literati, 4/5 stars“[An] infinitely relatable and beautifully crafted prose and poetry anthology . . . Freeman has assembled a thoughtful and profoundly accessible collection of work that connects our vulnerabilities, our expectations and our hopes.”—Newcity Lit“Arrival is not a gimmick; it’s a heartbeat. Listening for its pulse from one page to the next encourages dual enjoyment, first with each individual piece, and then the pieces in conversation . . . From Bangladesh to the West Bank, Bosnia to Jamaica, Sudan to Iceland, the focus is refreshingly global. Reading Arrival feels like sitting in an airport cafe eavesdropping on the conversations of fellow travellers—journeys beginning and ending, lives intersecting and diverging; a group of people brought together by transit, but united through storytelling: that most human of impulses . . . This geographic breadth, and profound sense of borderlessness is what most distinguishes Freeman’s in the increasingly crowded marketplace of literary journals.”—Australian“[Freeman’s] latest project . . . might be his most remarkable achievement to date . . . [A] thrillingly unique collection of voices.”—Toronto Star“It can safely be said that [John] Freeman is a guide whom a savvy subset of passionate readers trust. His plan for this new project is simple: Twice a year, he’ll present ‘a collection of writing grouped loosely around a theme.’ This first installment of poems, stories, and narrative nonfiction does not disappoint. There’s excellent work by literary luminaries and popular favorites—Lydia Davis and Haruki Murakami, Louise Erdrich and Dave Eggers—as well as work from writers who will be new to many . . . A diverse and diverting anthology for fans of short fiction, verse, and long-form essays.”—Kirkus Reviews“A perfect companion for travelers.”—Sacramento Bee“What a hypnotic set of stories, really linked excursions that have an inexplicable but perfect rightness to their placement within the confines of the cover so that something builds from beginning to end. Open it at page one and just read. An amazing collection of gifted writers. Call it what you will it is simply in its entirety a very good book.”—Sheryl Cotleur, Copperfield’s Books
About the Author John Freeman was the editor of "Granta" until 2013. His books include "How to Read a Novelist" and "Tales of Two Cities: the Best of Times and Worst of Times in Today's New York." He is an executive editor at The Literary Hub and teaches at the New School. His work has appeared in the "New Yorker," the "New York Times" and the "Paris Review."
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10 of 10 people found the following review helpful. Like Granta and Lapham's Quarterly? You'll Love Freeman's. By takingadayoff Freeman's is a new anthology similar to Granta. This first volume in what will be a series includes fiction, nonfiction, poetry, a photo essay. The pieces are all new, they haven't appeared anywhere else. And they are organized around a theme, in this case, "arrivals." The writers are free to interpret the theme any way they want, so some stick close to the idea, others stray so far that it's hard to see the connection at all.I'm usually a bit wary of short stories, since to me they seem to end before they ever get going and I'm left thinking, "now what was THAT all about?" But there were two stories here that I very much enjoyed -- one by Haruki Murakami about a middle aged widower and his new young driver, and Helen Simpson's low key story of a woman chatting with her acupuncturist during their sessions. I also liked Etgar Keret's humorous essay which reminded me how much I liked his recent collection of nonfiction, The Seven Good Years. Lydia Davis's long article about learning Norwegian to read a book she did not expect would ever be translated into English was unusual and surprisingly engrossing.The essay that will stay with me though, is one by Garnette Cadogan, a New Yorker who grew up in Jamaica and became accustomed to walking at night as a young man. When he moved to New Orleans to go to university he discovered that a black man walking at night made other people uneasy. He was not used to being seen as a threat. He was also not used to being hassled by police, but learned that it's a regular part of walking while black. Walking in New York, as he learned on moving there, entailed another set of rules. He could not stand on a corner to wait for a friend, or stop to use his cell phone. He shouldn't run to catch a bus, this was perceived as very threatening. Walking with a white friend negated the threat, and walking with a woman was even less threatening, although in New Orleans if he walked with a white woman, he perceived raised hostility. Even after reading Ta-Nehisi Coates and others recently, it was quite amazing to get a point of view from someone who had not grown up with the antiquated and self-defeating racial rules we still have in America.I look forward to the next edition of Freeman's and in the meantime I have a whole list of writers I now want to read more of.
0 of 0 people found the following review helpful. Recommended. By Cloggie Downunder “Sometimes when she woke from a flabbergasting dream Liz would lie very still to see if she could net it before it fled; perfectly still, eyes closed, not moving her head, as if the slightest shift would tip the story-bearing liquid, break its fragile meniscus and spill the night’s elusive catch”Freeman’s Arrival is the first collection of short pieces (between one page and fifty-six pages in length) which are grouped loosely around the theme of arrival, edited by American author, poet, essayist and editor, John Freeman. The pieces include fiction, poetry, non-fiction and even a photographic contribution.The fiction pieces vary greatly in their style and content, and while all are excellent, the standout stunner is the story by Fatin Abbas titled “On a Morning”. Her descriptive prose is wonderfully evocative: “William pointed out the important landmarks. There weren’t many: a mosque, a church, a police station, the small, dusty market…..Alleyways careening and twisting at random angles. Huts that didn’t look like houses so much as giant mushrooms that had sprouted from the earth. Goats that liked to perch high up in trees, snipping at leaves. A brown-green landscape, interrupted by the women’s bright-colored dresses in bursts of red and saffron yellow and rippling blue and orange” and she conveys the feel of Sudan with consummate ease: “People paused with their cups in midair. Spoons tinkled against plates. In the quiet, flies buzzed and zipped from one sticky teacup to another. It was close and hot, drops of sweat trickling down Alex’s jaw and into the hollow at the base of his throat, the tip of his nose gleaming”The non-fiction pieces, too, are well written. From Colum McCann’s arrival in Dublin:“I began to feel what I can only call an emigrant’s panic. To be a man of two countries, his hands in the dark pockets of each, these were streets I used to know. Nothing was the same” to David Mitchell’s encounter with a ghost in a Japanese bedroom, to Aleksander Hemon’s description of his immigrant parents’ life: “Some native-born stranger versed in reality-TV diagnoses would see it as a place of hoarding, but everything in it makes perfect sense, not only to my father, but to me as well: The inside of The Barn is the inside of my father’s head, the clutter an emanation of his mind, the overpopulated territory of his personal sovereignty”, all are interesting, thought provoking and sometimes, hilariously funny, as Etgar Keret’s story, “Mellow” demonstrates.Lydia Davis gives the reader an interesting take on learning a language when she explains how and why she learned Norwegian by reading a non-fiction novel by Dag Solstad, in Norwegian, without the aid of a dictionary, and with a less-than-rudimentary command of that language.This collection is a good opportunity for readers to sample the works of writers with whom they are unfamiliar, although “names” like David Mitchell, Huraki Murakami and Colum McCann also contribute. Freeman states that his intention is produce such a collection every six months, so it will certainly be interesting to see what theme the next collection will explore, and which authors will contribute. Recommended.
0 of 0 people found the following review helpful. Reading Freeman’s is like attending a fabulous dinner party where everyone on the guest list has a brilliant story to tell... By CLD28 Freeman’s Arrival is a beautiful collection of stories from diverse voices.You’ll be in awe and inspired by L. Davis’ story of how she taught herself Norwegian - without a dictionary; you’ll be entertained by T. Anam’s story of panty factory workers and their tales of marriage; you’ll tear up reading L. van de Berg’s story about a woman and her dying dog, and how she desperately tries to get a hold of her husband who has been sailing around the world; and you’ll laugh hysterically at E. Kerte’s story about getting high with a new driver during his first paid reading, the whole time, shaking your head, thinking, “no, he didn’t!!”Freeman’s Arrival has the familiar voices of L. Erdrich, H. Murakami, B. Lopez, A. Hemon etc. and new ones, such as F. Abbas, G. Cadogan, M. Salu, and I. Hutchinson. Reading Freeman’s is like attending a fabulous dinner party where everyone on the guest list has a brilliant story to tell; where you are re-acquainted with writers that you already know and introduced to whole set of new writers you want to get to know more of.
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