Real Life Rock: The Complete Top Ten Columns, 1986-2014, by Greil Marcus
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Real Life Rock: The Complete Top Ten Columns, 1986-2014, by Greil Marcus
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For nearly thirty years, Greil Marcus has written a remarkable column called “Real Life Rock Top Ten.” It has been a laboratory where he has fearlessly explored and wittily dissected an enormous variety of cultural artifacts, from songs to books to movies to advertisements. Taken together, his musings, reflections, and sallies amount to a subtle and implicit theory of how cultural objects fall through time and circumstance and often deliver unintended consequences, both in the present and in the future. Real Life Rock reveals the critic in full: direct, erudite, funny, fierce, vivid, uninhibited, and possessing an unerring instinct for art and fraud. The result is an indispensable volume packed with startling arguments and casual brilliance.
Real Life Rock: The Complete Top Ten Columns, 1986-2014, by Greil Marcus- Amazon Sales Rank: #621626 in Books
- Published on: 2015-10-20
- Original language: English
- Number of items: 1
- Dimensions: 8.88" h x 1.56" w x 6.13" l, .0 pounds
- Binding: Hardcover
- 600 pages
Review “Marcus is as likely to train his discerning gaze on a subway busker using a spare-change-filled coffee cup to create a Motown-worthy groove as he is to wax poetic on Adele or Lady Gaga.”—Christian Science Monitor (The Christian Science Monitor)“This new book (of old snippets) is superb.”—Dwight Garner, of the New York Times (via Twitter) (Dwight Garner)“Real Life Rock redeems the list format from the current proliferation of "listicles"—and paces it as a thing cultural consumers have always employed for sanity, a way to force some order into an insatiable and unwieldy habit. . . . It’s a good time for this book: Real Life Rock reminds skeptics that capsule reviews have a long and rich tradition.”—Sam Lefebvre, Pitchfork (Sam Lefebvre Pitchfork)“Even Marcus fans who have never read a single one of these columns will recognize some of the writer’s favorite topics from Dada to Dylan to punk to Randy Newman to the legend of Stagger Lee, all of which make multiple appearances through the book’s 500-plus pages. If that page count seems daunting, fear not. There isn’t an entry you’ll want to skip.”—Adam Ellsworth, The Arts Fuse (Adam Ellsworth The Arts Fuse)“Stunning; even in the capsule format, the energy and breathlessness of Marcus’ prose is electrifying. . . a history of three-plus decades of American popular culture, told not in the familiar touchstones, but in bootlegs, B-sides, sidebars, and secrets.”—Jason Baily, Flavorwire (Jason Baily Flavorwire)“Even if you aren’t running to your computer to stream some of these tracks and albums he wrote about over the years, you’ll still be stopping in your tracks to admire the economy of Marcus’s writing for this column. In as short as about 100 – 150 words, he can take you deep within the heart of a particular album or live performance, or dismiss something cheekily out of hand with a small wave.”—Robert Ham, SpectrumCulture.com (Robert Ham SpectrumCulture.com)“Real Life Rock sprawls and rejoices and bitches and moans depending on what’s happening in the world. And yet each book examines the commonplace as a subject and a way of being, as a language anyone might use and a way of listening that’s true to ordinary life and all its plainness, order, customs, and moments of the unexpected.”—Robert Loss, The Los Angeles Review of Books (Robert Loss The Los Angeles Review of Books)“Mr. Marcus’s magpie columns collect stray opinions: on songs, movies, books, politics, moments. They make up a kind of underground cultural history of the past three decades, and the items in each column are by turns beautiful, strange, funny and vicious. This feels like both Mr. Marcus’s official bootleg and a reference book of a very high caliber.”—Dwight Garner, The New York Times, Holiday Gift Guide 2015 section (Dwight Garner The New York Times)“A real treasure.”—Jonathan Russell Clark, LiteraryHub.com, “The Year in Collected Essays” (Jonathan Russell Clark LiteraryHub.com)“A truly amazing body of work, with Marcus delivering insightful thoughts on a wide range of topics, including books, movies, art shows, concerts, spam emails, and, more than anything else, music. This is essential reading for anyone interested in critical writing”—Matthew Perpetua, BuzzFeed, “21 Great Books About Music for 2015” (Matthew Perpetua BuzzFeed)“Real Life Rock collects 29 years of Greil Marcus' unique real life rock columns, each of which stuffs opinions about books, movies and politics into entries about music and vice versa. If you doubt that monthly columns assembled in bits and pieces can hold up over time, I direct you to page 141 and his remarks on a 1995 FRONTLINE documentary about Hillary Clinton. Marcus' words read like tomorrow's news and they definitely rock.”—Ken Tucker, NPR’s “Fresh Air” (Ken Tucker NPR’s “Fresh Air”)
About the Author Greil Marcus's books include Mystery Train: Images of America in Rock ’n’ Roll Music, Lipstick Traces: A Secret History of the Twentieth Century, and The History of Rock ’n’ Roll in Ten Songs. He teaches at Berkeley and the Graduate Center at the City University of New York.
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Most helpful customer reviews
10 of 11 people found the following review helpful. An Unmissable Collection of Real Life By Robert W. Getz It's difficult to remember what rock criticism or cultural commentary was like before Greil Marcus which, I suppose, is another way of saying that the risks and innovations that have always marked his work have now become so much a part of our daily conversation that we accept and, indeed, expect any sort of criticism from Pitchfork to People to embrace his willingness to treat all culture as a vital and living continuum. The thrill of reading his long-running 'Real Life Rock Top Ten' column has always been the sense of being allowed into the workshop and seeing how anything can become grist for his mill and, in some ways, the column may be a better example of the sort of democratization his writing always strives for than the books are. There is some repetition, an inevitable thing in over 30 years worth of work (the Bob Dylan material has already been collected in Marcus' volume on the subject) and it may be safe to say that if you have no interest in Dylan, The Mekons, or Sleater-Kinney you may want to move along, but then you may want to avoid contemporary music altogether. I don't always agree with him (the same goes for the film critic David Thomson whose similarly exciting work shares some qualities with Marcus') and he can seem finicky at times; he has plenty of time for Jon Spencer's Pussy Galore, for example, but none at all for Spencer's Blues Explosion. But this is nitpicking when you're discussing a volume that rewards the reader regardless of where they happen to dip into it. A dazzling display from one of our most remarkable writers.
3 of 5 people found the following review helpful. It used to go like that, now it goes like this: or, how I learned to stop worrying and have a laugh along with Greil By Tiernan Henry Or, how to lose an afternoon.Pick any page and the lines jump right out - ridiculous lines, insightful one, really really funny ones - and they're all infuriating: largely because they are so good. This is a really interesting collection of a really interesting idea - back in 1986 Marcus started writing lists that reflected what was going on with his listening, reading, viewing and with his life. Gradually other things started peeking in, or became visible around the edges and what we have now is a fascinating, distinctly personal alternate history of the last 30 or so years.This is the perfect book to dip in and out of, but damn, it's hard to not read just one more of those short little pieces. Yesterday afternoon p110 sent me off to listen to Dylan's mighty fine Good As I Been To You, and on the bus this morning my ipod rattled along withSonic Youth and the Vulgar Boatmen.Marcus isn't for everyone, but there's enough here to keep anyone interested and it really is a good way to pass some time.I was thinking about this last night and I think the first thing I read of his was his liner notes to The Basement Tapes. It took a while to get my hands on Mystery Train (and wouldn't you know when I finally did it was in Duluth, MN back in 1989 - as you do) and I've tried to keep up with him as much as possible through the years. One really fine thing about this collection is how it shows Marcus' relationships with music and art shifting and changing over the years, and there's hardly a finer history of Dylan's musical renaissance than in these pages. He shows up early and often, in asides, in head scratching lines where Marcus is trying to figure out what's going on with Dylan and what's going on with his relationship with Dylan (as a listener). Is there a better summary of 1997's Time Out Of Mind than this (p159): "A Western. It starts with Clint Eastwood's face at the end of Unforgiven, then turns around and heads back east like bad weather", or this (p267) from his take on Summer Days (from Love & Theft): "...the singer shouts from inside a roadhouse where a Western Swing band is running a jitterbug beat as if it's twirling a rope. On the dance floor women are flipping in the air and couples snap back at each other like towels in a locker room. The singer high-steps his way across the room, Stetson topping his Nudie suit. How much proof do you want that the night can't go wrong? "Why don't you break my heart one more time," he says happily to the woman at his side, "just for good luck?" He stretches out the last word as if he can't bear to give it up."Damn you Marcus. Oh bloody hell, now I'm blasting the live version from 2002 - Dylan and that band back in New York ripping the place apart.Order it, have your iPod ready, have your turntable ready, have strong drink close at hand and be ready to get lost for an afternoon. Or a weekend.Oh, no, look what he says on p486,.. I have to go, it's Bikini Kill time.
3 of 19 people found the following review helpful. Shoveling It By Chadwick Henley Essex Call me Wicky Poo-Poo.To what purpose is this waste? Cover suggests he's an icon. Content suggests he's a contemporary culture commissar. He's neither. Just someone who shovels opinions as farmers shovel barns. Okay, Greil me boy, shovel your opinion on this from New Jersey Phil:"The power in any society is with those who get to impose the fantasy. It is no longer, as it was for centuries throughout Europe, the church that imposes its fantasy on the populace, nor is it the totalitarian superstate that imposes the fantasy, as it did for 12 years in Nazi Germany and for 69 years in the Soviet Union. Now the fantasy that prevails is the all-consuming, voraciously consumed popular culture, seemingly spawned by, of all things, freedom. The young especially live according to beliefs that are thought up for them by the society’s most unthinking people and by the businesses least impeded by innocent ends. Ingeniously as their parents and teachers may attempt to protect the young from being drawn, to their detriment, into the moronic amusement park that is now universal, the preponderance of the power is not with them."Also, Greil, isn't it time for you and your pal What's-His-Face to chuck your rock concert t-shirts for turtlenecks? With very, very, very high necks? Your opinion, kind sir, on this from Pennsylvania Johnny:"A writer's fan base, unlike that of a rock star, is post-adolescent, and relatively tolerant of time's scars; it distressed me to read of some teenager who, subjected to the Rolling Stones' halftime entertainment at a recent Super Bowl, wondered why that skinny old man (Mick Jagger) kept taking his shirt off and running around."Thanks, buddy!
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